Legends Who Cracked It
The Scoreboard
Finish the
Grind
Secure the
Bag
Of Those Who Got Funded:
Cheat Code
Rewrites
Wait, Are You Saying I Can Actually Get My Movie Made?
That's exactly the go, mate.
Look, we can't promise you'll be the next Baz Luhrmann. But what we deadset guarantee is this: if you finish The Ultimate Screenwriter Course and send us your polished script, we will get it in front of a bona fide Hollywood producer who has the power to turn your gear into a movie. No cap.
Here's the alpha: producers usually make up their mind in the first ten pages (ten minutes of screen time). Your job is to write a script so fire that they can't put it down after page ten.
THIS TEN PAGE ACTIVE PRODUCER READ IS INCLUDED
IN THE PRICE ($249 USD). STEAL.
Here Are A Few Legends Who Followed Our Roadmap:
"I'm keen on diverse voices and fresh stories. Let's get new perspectives out there. I'm all about showing a different side of the coin."
Mariannjely Marvel
Writer & Producer, "Moving Forward"
"Screenwriting is basically just rewriting... My third pass removed almost 10 pages. This gig taught me patience and precision. Every word has to earn its keep."
Katz Carter
Writer & Director, "#FullMethod"
"It's a totally different beast. When I started, I was using words as a crutch. I finally made the leap to painting pictures with words that translate directly to the screen."
Suzanne Nichols
Script Writer, "Evolution:
The Genius Equation"
"My zombie flick hits different because it focuses on the living people and their societal mess. I'm playing with stereotypes—twisting convention, yeah?"
Ian McCamant
Writer & Director, "Frivolity"
YOU WANT PROOF? WE GOT RECEIPTS.
CHECK OUT THESE LEGENDS.
Real productions. Real credits. No fluff.
19%
OF GRADUATES GOT THEIR FIRST PROJECT FUNDED
19 out of the last 100 grads of the Ultimate Screenwriter Course got their first project funded and released commercially. Another 31% got their second, third, or fourth project funded.
We aren't talking about grainy student films. We’re talking about features, shorts, TV pilots, and video games. These results are rare; most "pro" screenwriters would kill for stats like these.
REAL PRODUCERS WITH REAL CREDITS
Our 40 years in the industry gains you access to producers who are looking for the next "big thing"
THIS COULD BE YOU
HOW DO WE PULL IT OFF?
THE TEN-PAGE PROTOCOL
The Secret Sauce
Every year, nearly 50,000 writers chuck scripts at the Writers Guild. Every single one has to pass the industry gatekeepers—the coverage readers. Fewer than 100 scripts survive that grinder to become movies.
Here's the playbook our graduates use to beat the odds and get their movies funded:
Ghost the Gatekeepers
Our graduates bypass coverage readers entirely. We ghost them. We put your script directly in the hands of an active Hollywood producer who specializes in your genre—someone with the actual power to greenlight your project. Note: Coverage readers can't greenlight a film; they can only chuck your script in the bin.
The Guarantee
We guarantee to assign an active Hollywood producer to your script who will read at least the first ten pages (ten minutes of screen time). We call this the Producer Read.
The Ten Page Rule
Why ten pages? We asked the pros, and the consensus was solid: ten pages is all they need to decide if your script is a movie or a coaster.
Nail the Structure
Before you write a single word, map it out. Know your opening, your first act break, your midpoint, your second act break, your resolution, and your theme. Don't wing it.
The 80/20 Hustle
Dedicate 80% of your effort to perfecting those first ten pages. Your goal is to make the intro so compelling the producer physically cannot put it down.
Smash the Resistance
Get this into your head: nobody wants to read your script. Not the readers, not the producers. It is your job to convince them, within ten pages, that they are in for the ride of their lives.
Grab the Opportunity
The Producer Read is a golden ticket even veteran screenwriters rarely get. Established writers still battle coverage readers. You are getting the ultimate shortcut.
Rewrite, Rinse, Repeat
Do everything in your power to make those first ten pages flawless. You might think you're done, but you probably need another three or four rewrites. Trust the process.
Look the Part
Appearances matter, mate. Your script must be flawlessly formatted. Prove you are a pro craftsman with perfect dialogue, pacing, and punctuation. Don't look like a rookie.
The Payoff
If you follow OUR ULTIMATE SCREENWRITER'S TEN PAGE PROTOCOL you will drastically boost your odds of getting funded. While we can't guarantee a green light, the worst-case scenario is still gold: within 45 days, you get direct notes from a Hollywood producer on what worked and what needs fixing.