Student Wins
The Stats
of Squad
Finishes the Grind
Grads Get
Paid
For Those Who Secured the Bag:
Mentoring
Rewrites
Wait, so can I actually get my script turned into a legit movie with this masterclass?
That's exactly what we're saying.
Look, we can't promise you'll be at the Oscars next year, but we do guarantee that if you crush the course and send us your finished script, we'll get it in front of a real-deal Hollywood producer who actually has the juice to greenlight your project.
Here's the tea on how the hustle works: a producer usually makes their mind up about your script within the first ten pages—basically the first ten minutes. Your mission? Write something so undeniable they can't help but keep reading.
THIS TEN-PAGE PRODUCER READ IS INCLUDED
IN THE COURSE PRICE OF $249 USD.
Check out the crew who used our roadmap to win:
"I'm all about diverse voices and fresh vibes. Let's get new perspectives out there."
Mariannjely Marvel
Writer & Producer, "Moving Forward"
"Screenwriting is basically rewriting... my third pass cut 10 pages. Every single word counts."
Katz Carter
Writer & Director, "#FullMethod"
"It's a totally different hustle. I had to learn how to use words to create actual cinematic images."
Suzanne Nichols
Script Writer, "Evolution: The Genius Equation"
"My zombie flick focuses on the living people and society. I'm twisting the usual stereotypes."
Ian McCamant
Writer & Director, "Frivolity"
YOU WANT RECEIPTS, WE GOT RECEIPTS.
HERE ARE A FEW MORE STUDENT WINS.
Real-deal productions. Legit credits.
19%
GRADS WHO GOT THEIR FIRST GIG FUNDED
Out of our last 100 grads, 19 of them got their first project funded and out there commercially. Another 31% saw success with their second, third, or fourth project.
We’re not talking student films, bud—we’re talking features, pilots, and even games. These results are rare as heck; most pros would kill for this track record.
REAL PRODUCERS WITH REAL CLOUT
Our 40 years in the biz gets you access to producers hunting for the next big banger.
THIS COULD BE YOU
HOW DO WE DO IT?
THE TEN-PAGE PROTOCOL
The Secret to Why our Squad Wins
Every year, about 50,000 writers throw scripts at the WGA. Most get blocked by the gatekeepers—coverage readers. Fewer than 100 actually become movies.
Here’s the roadmap our grads use to beat the odds and get their films made:
Ghost the Gatekeepers
Our squad ghosts coverage readers entirely. We put your work straight into the hands of a Hollywood producer who has the actual power to say "yes". Note: Coverage readers can't greenlight anything; they just grade you.
Our Guarantee
we guarantee a real-deal producer will read at least the first ten pages of your script. We call this the Producer Read.
The Ten-Page Threshold
Why ten? Pros say ten pages is all they need to know if your script is a movie or a pass.
Master the Bones
Develop the idea fully before writing a word. Know your act breaks, midpoint, and theme.
The 80/20 Rule
Throw 80% of your energy into perfecting those first ten pages. Make them so fire the producer literally can’t put it down.
Handle the Pushback
nobody wants to read your script. Convince them within ten pages that they're in for a banger.
Secure the Plug
Even vet writers rarely get a guaranteed Producer Read. You’re taking a massive shortcut past the gatekeepers.
Rewrite Till It Slaps
Make those first ten pages flawless. You'll probably need at least 3-5 rewrites before you're ready to submit.
The Fit
Presentation is key. Format properly, fix your spelling, and show you're a pro craftsman.
The Result
Follow our protocol and your odds of getting funded skyrocket. Even if you don't get greenlit, you'll get direct notes from a producer within 45 days.